Sitelogo small
MusicfortheSoul

Music for the Soul ~ Work songs

After slavery was abolished, together with the end of civil wars, army bands were dissolved and their musical instruments dumped. The wooden instruments were far too expensive and therefore not affordable for ex slaves. These new Afro-Americans had less to spend, however could afford the cheaper ones; the brass-instruments.

During that time period, street-bands were formed with as a base the T-bass and washboard. In addition, they played Brass-instruments, banjo, drum, and used their voice accompanied by handclaps.

The T-Bass was a cheap alternative for the wooden classical counter-bass and later the standing bass. It was made out of a tin tub, steel wire and a broomstick.
Washboards were used together with metal finger-hoods.
The prototype of the banjo was a calabash, or hollowed-out pumpkin, over which an animal skin was stretched and strings added.

Brass-instruments were those dumped army instruments; trumpet, cornet, trombone, tuba and for the more fortunate people; the saxophone. For drums, well, we don’t have to explain that, right?

Fretless 19th Century Banjo Source: http://usslave.blogspot.de

The voice and handclap were also used in a different way:

During times of slavery, a group of slaves would form a circle within their middle a foreman and lyrics were recited at a rhythmical base. This circle, was called a ring and the foreman was called a ring-shouter.
Shouting out lyrics, accompanied by handclaps, the cadans of “call and answer” was born: the work song.

For an example of a Ring-shouter, you can view a video at you-tube  of a group of singers, who still perform the original ring-shouting today:

The handclap was performed at a specific 4/4 beat, which means at 2nd and 4th beat, also known as the after-beat.

Short Tutorial

Focusing at these light beats during the cadans, the so called ‘chain-gang work song’ developed. Although slaves were (supposed to be) free at the beginning of the 20th century, life was still hard and work though for the new Afro-Americans and these work songs were still used as relief.

Inspire each other...

6 Responses

  1. When my brother studied Jazz music at the conservatory he explained me this accent. I studied classical singing (old school 1-3) and noticed the differences and the ‘swing’ of the 2-4 clap. And so much more possibilities in modern music to express yourself.
    Thank you ❤

    1. Thanks for reading Bun. Yes, indeed. Reminds me of sitting at the dining table and my father always found something to make music with, even his own head 🙂

Let's Connect !

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Logo for intro video
Play Video
Although I encourage you to Connect to Life, Others and Yourself, it is impossible to Connect to all and everyone. 
Views from
  • 15,110 Beautiful Souls

Hereby, I would like to thank you for taking the time to visit my virtual home! Connect with me personally via the comment section or visit my contact page.

Looking forward to Connect!

Stay Connected ;- )

Enter your email address to subscribe to my virtual home and receive notifications of new posts by email.

Blogger

Over a decade, I write and create, developing my virtual home into what it is today. Connecting on a global scale, aiming to inspire YOU to Connect. To Life, to Others, to Yourself.

Master (Life) Coach

Let us stop trying to convince one and another there is only one way to live. Instead, let us empower each other to find and live the lifestyle suitable to our uniqueness.
Acknowledging and embracing our differences, using them as strength to build meaningful Connections and a world upon which we can all thrive.

Categories

You Are NOT Alone !

Universal Human Rights

Stay Connected ; -)

Enter your email address to subscribe to my virtual home and receive notifications of new posts by email.

%d bloggers like this: